Sounds as They Are

图书简介

In Sounds as They Are, author Richard Beaudoin recognizes the often-overlooked sounds made by the bodies of performers and their recording equipment as music and analyzes these sounds using a bold new theory of inclusive track analysis (ITA). In doing so, he demonstrates new expressive, interpretive, and embodied possibilities and also uncovers insidious inequalities across music studies and the recording industry, including the silencing of certain sounds along lines of gender and race.

Acknowledgements; INTRODUCTION ; Four octaves and one breath; Defining unwritten music; Why classical recordings?; Categorizing unwritten music; Five notes; CHAPTER 1. The Aesthetics and Ethics of Unwritten Music ; Sound recordings as documents; Questioning intelligent suppression; Everything that sounds simultaneously; An unwritten note; A series of enigmatic clicks; A decisive inhale; Five analogies; The reception of unwritten music; The empathetic dimension; CHAPTER 2. Sounds of Breath; Breath sounds as music; Breath as rhetoric; Breath as anacrusis; Breath as expectation; Breath within motive; Breath as climax; Breath as phrase marker; Breath as narration; CHAPTER 3. Sounds of Touch ; Touch sounds as music; Fingernails and motive; Foreshadowing fingertips; Dancing fingerfalls; Squeaking shifts; Percussive valve clacks; Chair creaks; Podium stamps; Timbral damper pedals; CHAPTER 4. Sounds of Effort ; Sounded effort as music; Sound, sex, and somaesthetics; Climactic exertions 1: The exultant holler; Climactic exertions 2: The tense moan; Climactic exertions 3: Grunt lead; Intimate exertions 1: Subtle vocalizing; Intimate exertions 2: Emphatic panting; Intimate exertions 3: Stifled grunting; A thoroughgoing growl; Moans as indicators of phrase; Grunts unheard; CHAPTER 5. Surface Noise ; Surface noise as music; Listening with; Recordings as carta; Six modes of interaction; Performance-centricity; Narrative asynchrony; Ekphrastic (non)coincidence; Expressive synchronicity; Metaphoric development; Surface noise-centricity; CHAPTER 6. Inclusive Track Analysis ; Attentional flexibility; Reading what was never written; Inclusive track analysis: A pragmatic framework; Beyond classical tracks; Les sons tels qu’ils sont; Discography; Bibliography; Index

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Sounds as They Are（Oxford Studies in Music Theory） 音乐

Sounds as They Are（Oxford Studies in Music Theory）
音乐