图书简介
This four-volume edition of primary source materials documents the histories of design across the long nineteenth-century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned 19th century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The second volume looks at the designed objects, images, and spaces that were created in the period. These include discussion of design in interiors, industry, fashion, graphics, and architecture amongst others. The third volume considers the issues of design production and practices including debates about the role of machine and craft, the impact of new materials and technologies as well as issues of marketing and mediation. The last volume looks at consumption and uses of design as a part of the wider cultures of the period. Taken together these sources, with their contextual introductions and headnotes, present a valuable overview of a broadly defined design culture during the long nineteenth century.The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics, and philosophy.
Volume 1 - Theories and Discourses Acknowledgments General Introduction Volume 1 Introduction Part 1. Beauty and Aesthetics 1. Archibald Alison, ’On the Influence of Design Upon the Beauty of Form’ Essays on the Nature and Principles of Taste, (1790), 4th Edition, II, Part One (Edinburgh: Bell 1815), extract, pp. 58-64. 2. Basil Barrett, ’A Definition of Beauty’, Pretensions to A Final Analysis of the Nature and Origin of Sublimity, Style, Beauty, Genius, and Taste (London: John Murray, 1812), pp. 85-90. 3. John Ruskin, ’The Nature of Gothic’, The Stones of Venice, Vol Ii, Ch. 6 (London: Smith, Elder, and Co., 1853), extract, pp. 165-167. 4. Patrick Geddes, ’The Conditions of Design and Art Criticism’, Industrial Exhibitions and Modern Progress (Edinburgh: D. Douglas, 1887), pp. 42-48. 5. Alfred C. Haddon, ’Application of Biological Deductions to Design’, Evolution in Art as Illustrated by the Life-Histories of Designs (London: W. Scott, 1895), pp. 308-318. 6. Walter Crane, ’Of the Influence of Modern Social and Economic Conditions on the Sense of Beauty’, Ideals in Art: Papers Theoretical, Practical, Critical (London: Bell, 1905), pp. 76-87. Part 2. Taste 7. Joseph Woods, An Essay on Modern Theories of Taste (London: The Architectural Society, 1808), extract, pp. 40-44. 8. George Wallis, ’Art Education for the People’: ’Improvement of Popular Taste in the Fine Arts, Through Their Application to Industrial Purposes,’ The People’s Journal, 3, 1847, pp. 9-11. 9. John Bascom, Lecture X, ’Things That Mislead Taste’, Aesthetics, Or The Science of Beauty (Boston: Crosby and Nichols, 1862), extract, pp. 144-148. 10. J. J. Stevenson, ’On the Recent Reaction of Taste in English Architecture’, Architect and Building News, 20 June 1874, pp. 9-11. 11. G. - L., [E. F. Gladstone-Lingham] ’Common Sense’, The Science of Taste: Being A Treatise on its Principles by G. L. With Illustrations by the Author (London: Edward Stanford, 1879), extract, pp. 128-132. Part 3. Ornament 12. [Anon], ’on Ornament, Especially Referring to Woven Fabrics’ Journal of Design and Manufactures, I, (London: Chapman and Hall, 1849), pp. 56-58. 13. [Anon] ’Which Direction Is Ornamental Art Likely to Take in the Country, Toward Elaboration Or Simplicity?’ Journal of Design and Manufactures, VI, (London: Chapman and Hall 1852), pp.135-137. 14. Ralph N. Wornum, Analysis of Ornament. The Characteristics of Styles. An Introduction to the Study of the History of Ornamental Art ... Forth Edition (London: Chapman
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