图书简介

0 Introduction; Part I: Oral Texts and Oral Intertextuality; 1 Oral Texts and Entextualization in the Homeric Epics; Introduction; 1.1 Performance, Oral Texts, and Entextualization; 1.2 Application to the Homeric Epics; 1.2.1 The Preexistence of Tales and Songs and the Object-Like Status of Utterances in the Homeric Epics; 1.2.2 Entextualization in the Character Text I; 1.2.3 Entextualization in the Character Text II; 1.2.4 The Poet and Entextualization; 1.3 Homerists on Texts; 2 Oral Intertextuality and Mediational Routines in the Homeric Epics; Introduction; 2.1 Oral Intertextuality and Mediational Routines; 2.2 Mediational Routines in the Homeric Epics; 2.2.1 The Source Text; 2.2.2 The Target Text; 2.3 Metapoetic Implications; Part II: The Emergence of Written Texts; 3 Textualization: Dictation and Written Versions of the Iliad and the Odyssey; Introduction; 3.1 The Dictation Model; 3.2 A Comparative Approach; 3.3 The Process of Recording by Hand; 3.3.1 The Challenges of Manual Transcription; 3.3.2 Steps to Work around These Challenges and Their Effects; 3.3.3 The Rare Exceptions; 3.3.4 Dictated Texts versus Sung Texts; 3.3.5 What Was Written Down; 3.3.5.1 The Collector as Gatekeeper; 3.3.5.2 The Scribal Process; 3.4 The Collector’s Impact on the Oral Text; 3.4.1 Unwitting Interference (or the Collector’s Presence); 3.4.2 Purposeful Interference; 3.5 Editing; 3.5.1 Field Notes; 3.5.2 Editorial Work in the Nineteenth and Twentieth Centuries; 3.5.3 Editorial Work from the Second Half of the Twentieth Century until Today; 3.6 Best Practices; 3.7 The Collector’s Text versus the Performer’s Oral Performance; 3.8 The Formulations in Section 3.1 Reevaluated; 3.9 The Evolutionary Model’s Transcript; Excursus: The Interventionist Textmaker and Herodotus’s Histories; Part III: Copying Written Texts; 4 The Scribe as Performer and the Ptolemaic Wild Papyri of the Homeric Epics; Introduction; 4.1 The Ptolemaic Wild Papyri of the Homeric Epics; 4.2 The Nature of the Variation: Not Scribal Error; 4.3 Accounting for This Variation; 4.4 The Scribe as Performer; 4.5 The Scribe as Performer and the Wild Homeric Papyri; 4.5.1 The Wild Papyri and the Comparanda; 4.5.2 When?; 4.5.3 Who?; 5 Scribal Performance in the Ptolemaic Wild Papyri of the Homeric Epics; Introduction; 5.1 Juxtaposing the Wild Papyri and Helmut van Thiel’s Text; 5.2 Competence and Entextualization; 5.2.1 Cohesion; 5.2.2 Coherence; 5.3 Competence and Completeness; 5.3.1 Characters Do More Things; 5.3.2 Nothing Is Assumed; 5.4 Competence and Affecting Power; 5.4.1 The Emotions; 5.4.2 The Fulfillment of Expectations and the Groove; 5.5 Tradition, Traditionalization, and the Intertextual Gap; 5.6 The Bookroll; 5.7 The Performing Scribe; 5.8 Scribal Performance and the Alternatives; 6 Conclusion; Endmatter; Works Cited; Index

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