图书简介
Illustrates how the chemical and physical analysis of art and cultural heritage materials is a perfect model of collaboration with museum curators, with historians, with students, with religious scholars, and anthropologists.
Preface; 1. What’s Wrong with this Picture? The Technical Analysis of a Known Forgery; Gregory D. Smith, James F. Hamm, Dan A. Kushel, and Corina E. Rogge; 2. Scientific Examination and Treatment of a Painting by Gijsbert Gillisz d’Hondecoeter in the Mauritshuis; Lauren Paul Bradley, Sabrina Meloni, Erich Stuart Uffelman, and Jennifer L. Mass; 3. Handheld XRF Analyses of Two Veronese Paintings; Erich Stuart Uffelman, Elizabeth Court, John Marciari, Alexis Miller, and Lauren Cox; 4. Characterization of the Binders and Pigments in the Rock Paintings of Cueva la Conga, Nicaragua; R. Li, S. Baker, C. Selvius DeRoo, and R. A. Armitage; 5. Laser Ablation-Inductively Coupled Plasma-Mass Spectrometry Analysis of Lower Pecos Rock Paints and Possible Pigment Sources; Jon Russ, Kaixuan Bu, Jeff Hamrick, and James V. Cizdziel; 6. Identification of Organic Dyes by Direct Analysis in Real Time-Time of Flight Mass Spectrometry; Jordyn Geiger, Ruth Ann Armitage, and Cathy Selvius DeRoo; 7. Characterizing Organic Residues on Ceramics by Direct Analysis in Real Time Time-of-Flight Mass Spectrometry; John Hopkins and Ruth Ann Armitage; 8. New Developments in the Nondestructive Dating of Perishable Artifacts Using Plasma-Chemical Oxidation; Ruth Ann Armitage, Mary Ellen Ellis, and Carolynne Merrell; 9. The Roles of Chemistry and Culture in the Origins and Legacy of Crucible Damascus Steel Blades; Ann Feuerbach; 10. Elemental Composition of a Series of Medieval Korean Coinage via Energy-Dispersive X-ray Fluorescence Spectrometry; Danielle M. Garshott, Elizabeth MacDonald, Stephanie Spohn, Hana Attar, Jennifer Shango, Irice Ellis, Meghann N. Murray, and Mark A. Benvenuto; 11. Chemical Composition of a Series of Siamese Bullet Coins: A Search for Contemporary Counterfeits; Danielle M. Garshott, Elizabeth MacDonald, Meghann N. Murray, and Mark A. Benvenuto; 12. Analysis of the Archaic Mark Codex; Joseph G. Barabe, Abigail B. Quandt, and Margaret M. Mitchell; 13. Developing a Community of Science and Art Scholars; Patricia Hill and Deberah Simon; 14. The Chemistry of Artists’ Pigments: An Immersive Learning Course; Patricia L. Lang; 15. Bridging the Gap of Art and Chemistry at the Introductory Level; Anne Gaquere-Parker and Cass D. Parker; 16. Technical Examination of Cultural Heritage Objects Associated with George Washington; Erich Stuart Uffelman, Ronald W. Fuchs II, Patricia A. Hobbs, Lauren F. Sturdy, Danielle S. Bowman, and Derek A. G. Barisas; 17. The Spectroscopic Analysis of Paints Removed from a Polychrome Wood Sculpture of Male Saint; Patricia L. Lang, Shawn P. Leary, Rebecca F. Carey, Melissa N. Coffer, Rick E. Hamilton, Amber L. Klein, Randall T. Short, and Philip A. Kovac; Editors’ Biographies; Indexes; Author Index; Subject Index
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