图书简介
The second, thoroughly revised and expanded, edition of The SAGE Handbook of Visual Research Methods presents a wide-ranging exploration and overview of the field today. As in its first edition, the Handbook does not aim to present a consistent view or voice, but rather to exemplify diversity and contradictions in perspectives and techniques. The selection of chapters from the first edition have been fully updated to reflect current developments. New chapters to the second edition cover key topics including picture-sorting techniques, creative methods using artefacts, visual framing analysis, therapeutic uses of images, and various emerging digital technologies and online practices. At the core of all contributions are theoretical and methodological debates about the meanings and study of the visual, presented in vibrant accounts of research design, analytical techniques, fieldwork encounters and data presentation. This handbook presents a unique survey of the discipline that will be essential reading for scholars and students across the social and behavioural sciences, arts and humanities, and far beyond these disciplinary boundaries. The Handbook is organized into seven main sections: PART 1: FRAMING THE FIELD OF VISUAL RESEARCH PART 2: VISUAL AND SPATIAL DATA PRODUCTION METHODS AND TECHNOLOGIES PART 3: PARTICIPATORY AND SUBJECT-CENTERED APPROACHES PART 4: ANALYTICAL FRAMEWORKS AND PERSPECTIVES PART 5: MULTIMODAL AND MULTISENSORIAL RESEARCH PART 6: RESEARCHING ONLINE PRACTICES PART 7: COMMUNICATING THE VISUAL: FORMATS AND CONCERNS
Chapter 1: Visual Dialogues across Different Schools of ThoughtLuc Pauwels and Dawn Mannay \\ PART 1: FRAMING THE FIELD OF VISUAL RESEARCH \\ Chapter 2: An Integrated Conceptual and Methodological Framework for the Visual Study of Culture and SocietyLuc Pauwels \\ Chapter 3: Looking Two Ways: Mapping the Social Scientific Study of Visual CultureRichard Chalfen \\ Chapter 4: Visual Studies and Empirical Social InquiryJon Wagner \\ Chapter 5: Seeing Things: Visual Research and Material CultureJon Wagner \\ PART 2: VISUAL AND SPATIAL DATA PRODUCTION METHODS AND TECHNOLOGIES \\ Chapter 6: Rephotography for Documenting Social ChangeJon H. Rieger \\ Chapter 7: Repeat Photography in Landscape ResearchMark Klett \\ Chapter 8: Videography: An Interpretative Approach to Video-Recorded Micro-Social InteractionHubert Knoblauch and René Tuma \\ Chapter 9: Eye-Tracking as a Method of Visual ResearchClare Kirtley \\ Chapter 10: Expanding Cartographic Practices in the Social SciencesInnisfree McKinnon and Jessica McCallum Breen \\ Chapter 11: Participatory Geographic Information Systems in Visual ResearchWen Lin \\ Chapter 12: Visualization in Social AnalysisJohn Grady \\ Chapter 13: Visual Research Methods in the Design ProcessPrasad Boradkar and Tejas Dhadphale \\ PART 3: PARTICIPATORY AND SUBJECT-CENTERED APPROACHES \\ Chapter 14: Methodological Variation in Participant Visual Media ProductionRichard Chalfen \\ Chapter 15: Community-Based Participatory Video and Social ActionClaudia Mitchell and Naydene de Lange \\ Chapter 16: Digital Storytelling as a Research MethodSarah Flicker and Katie MacEntee \\ Chapter 17: Photovoice: A Critical IntroductionE-J Milne and Rachel Muir \\ Chapter 18: Using Drawing in Visual Research: Materializing the InvisiblePhilippa Lyon \\ Chapter 19: Picture-sorting Techniques: Card Sorting and Q-sort as Alternative and Complementary Approaches in Visual Social ResearchKatharina Lobinger and Cornelia Brantner \\ Chapter 20: Artefacts, Third Objects, Sandboxing and Figurines in the Doll’s HouseDawn Mannay \\ Chapter 21: The Therapeutic Use of Photography: Phototherapy and TherapeuticDel Loewenthal \\ PART 4: ANALYTICAL FRAMEWORKS AND PERSPECTIVES \\ Chapter 22: Quantitative Content Analysis of the VisualKaty Parry \\ Chapter 23: Visual Semiotics: Key Concepts and New DirectionsGiorgia Aiello \\ Chapter 24: Advances in Visual Rhetorical AnalysisLaurie Gries \\ Chapter 25: Iconology and Documentary Method in the Interpretation of Divergent Types of Visual MaterialsRalf Bohnsack \\ Chapter 26: Ethnomethodology and the Visual: Practices of Looking, Visualization, and Embodied ActionMichael Ball and Gregory Smith \\ Chapter 27: Methodological Approaches to Disclosing Historic PhotographsEric Margolis and Jeremy Rowe \\ Chapter 28: Researching Film and History: Sources, Methods, ApproachesJames Chapman \\ PART 5: MULTIMODAL AND MULTISENSORIAL RESEARCH \\ Chapter 29: Multimodality and Multimodal ResearchTheo van Leeuwen \\ Chapter 30: Visual and Multimodal Framing AnalysisRenée Moernaut, Jelle Mast and Luc Pauwels \\ Chapter 31: Multimodal Critical Discourse Analysis: how to reveal discourses of health and ethics in food packagingPer Ledin and David Machin \\ Chapter 32: How to ‘Read’ Images with Texts: The Graphic Novel CaseJan Baetens and Steven Surdiacourt \\ Chapter 33: A Multisensory Approach to Visual MethodsSarah Pink \\ Chapter 34: Rapid Prototyping for Social Science ResearchCarey Jewitt, Kerstin Leder Mackley, Douglas Atkinson and Sara Price \\ PART 6: RESEARCHING ONLINE PRACTICES \\ Chapter 35: A Multimodal Model for Exploring the Material Culture of Digital Networked Platforms and their PracticesLuc Pauwels \\ Chapter 36: Contemporary Landscapes of Visual and Digital Communication: The Interplay of Social, Semiotic, and Technological ChangeClarice Gualberto and Gunther Kress \\ Chapter 37: Understanding Online Images: Content, Context and Circulation as Analytical FociHelen Lomax and Janet Fink \\ Chapter 38: Visual and Affective Analysis of Social MediaKate Marston \\ PART 7: COMMUNICATING THE VISUAL: FORMATS AND CONCERNS \\ Chapter 39: Creating Visual Essays: Narrative and Thematic ApproachesTerence Heng \\ Chapter 40: Anthropological Filmmaking: An Empirical ArtDavid MacDougall \\ Chapter 41: Visual Ethnography and Emerging Digital TechnologiesPaolo, S. H. Favero \\ Chapter 42: Revisualizing Data: Engagement, Impact and Multimodal DisseminationDawn Mannay \\ Chapter 43: Making Arguments with Images: Visual Scholarship and Academic PublishingDarren Newbury \\ Chapter 44: Visual Ethics beyond the CrossroadsAndrew Clark \\ Chapter 45: Legal Issues of Using Images in ResearchJeremy Rowe
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