European Theatre Performance Practice, 1580-1750

图书简介

This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750, with a particular focus on the nature of playing spaces, staging, acting and audience response in professional theatre. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres.

Contents: Introduction. Part I Playing Spaces: The changing scene: plays and playhouses in the Italian Renaissance, Michael Anderson; The theatres, John Orrell; Staging and performance, Jonathan Thacker; The material conditions of Moli?re?s stage, Jan Clarke. Part II Staging: Shakespeare?s stage, J.L. Styan; Shakespeare?s theater: tradition and experiment, Robert Weimann; Women at the windows: commedia dell? arte and theatrical practice in early modern Italy, Jane Tylus; The circulation of clothes and the making of the English theater, Ann Rosalind Jones and Peter Stallybrass; Absorbing interests: Kyd?s bloody handkerchief as palimpsest, Andrew Sofer; Insubstantial pageants: women?s work and the (im)material culture of the early modern stage, Natasha Korda. Part III Acting: Ruzante and the evolution of acting practice in Renaissance Italy, Ronnie Ferguson; Arte dialogue structures in the comedies of Moli?re, Richard Andrews; Rogues and rhetoricians: acting styles in early English drama, Peter Thomson; Rehearsal, performance and plays, Tiffany Stern; Comic stage routines in Guarinonius? medical treatise of 1610, M.A. Katritzky; ?La virtu et la volupt??: models for the actress in early modern Italy and France, Virginia Scott; Acting, Gerry McCarthy. Part IV Audiences: The audiences, Andrew Gurr; Theaters and audiences, Stephen Orgel; Women as spectators, spectacles, and paying customers, Jean E. Howard; Toward reconstructing the audiences of the commedia dell? arte, Robert Henke; The audience, W.L. Wiley; The actors and their audience, N.D. Shergold. Name index.

Trade Policy 买家须知

关于产品：
● 正版保障：本网站隶属于中国国际图书贸易集团公司，确保所有图书都是100%正版。
● 环保纸张：进口图书大多使用的都是环保轻型张，颜色偏黄，重量比较轻。
● 毛边版：即书翻页的地方，故意做成了参差不齐的样子，一般为精装版，更具收藏价值。
关于退换货：
由于预订产品的特殊性，采购订单正式发订后，买方不得无故取消全部或部分产品的订购。
由于进口图书的特殊性，发生以下情况的，请直接拒收货物，由快递返回：
● 外包装破损/发错货/少发货/图书外观破损/图书配件不全（例如：光盘等）
并请在工作日通过电话400-008-1110联系我们。
签收后，如发生以下情况，请在签收后的5个工作日内联系客服办理退换货：
● 缺页/错页/错印/脱线
关于发货时间：
一般情况下：
●【现货】下单后48小时内由北京（库房）发出快递。
●【预订】【预售】下单后国外发货，到货时间预计5-8周左右，店铺默认中通快递，如需顺丰快递邮费到付。
● 需要开具发票的客户，发货时间可能在上述基础上再延后1-2个工作日（紧急发票需求，请联系010-68433105/3213）；
● 如遇其他特殊原因，对发货时间有影响的，我们会第一时间在网站公告，敬请留意。
关于到货时间：
由于进口图书入境入库后，都是委托第三方快递发货，所以我们只能保证在规定时间内发出，但无法为您保证确切的到货时间。
● 主要城市一般2-4天
● 偏远地区一般4-7天
关于接听咨询电话的时间：
010-68433105/3213正常接听咨询电话的时间为：周一至周五上午8：30～下午5：00，周六、日及法定节假日休息，将无法接听来电，敬请谅解。
其它时间您也可以通过邮件联系我们：customer@readgo.cn,工作日会优先处理。
关于快递：
● 已付款订单：主要由中通、宅急送负责派送，订单进度查询请拨打010-68433105/3213。

European Theatre Performance Practice, 1580-1750（Critical Essays on European Theatre Performance Practice） 欧洲戏剧表演实践，1580年至1750年 东欧文学

European Theatre Performance Practice, 1580-1750（Critical Essays on European Theatre Performance Practice）

欧洲戏剧表演实践，1580年至1750年
东欧文学