图书简介
Top scholars from psychology, economics, sociology, business, and communications tackle key questions about the film experience. From a movie’s creation to the audience’s reaction to its eventual reception by critics and the box office, this book offers insights about all aspects of the movies based on cutting-edge research.
Acknowledgements; Dedication; List of Contributors; Introduction: Social Science of the Cinema: Fade In; James C. Kaufman and Dean Keith Simonton; Section One: The Creation; 1. Writing for success: Screenplays and cinematic impact; Dean Keith Simonton; 2. Sell by date? Examining the shelf life and effects of female actors in popular films; Stacy L. Smith, Amy Granados, Marc Choueiti and Katherine M. Pieper; 3. Resolving the paradox of film music through a cognitive narrative approach to film comprehension; Annabel Cohen; Section Two: The Audience; 4. What type of movie person are you? Understanding individual differences in film preferences and uses: A psychographic approach; Tomas Chamorro-Premuzic, Andrea Kallias, and Anne Hsu; 5. Film through the human visual system: Finding patterns and limits; Jordan E. DeLong, Kaitlin L. Brunick, and James E. Cutting; 6. Self and the cinematic experience in the age of electronic transmission; Gerald C. Cupchik and Michelle C. Hilscher; Section Three: The Production; 7. The producer-director dyad: Managing the faultline between art and commerce; Joris J. Ebbers, Nachoem M. Wijnberg, and Pawan V. Bhansing; 8. Networks and rewards among Hollywood artists: Evidence for a social structural ordering of creativity; Gino Cattani and Simone Ferriani; 9. Strategic assets and performance across institutional environments; Allegre L. Hadida; Section Four: The Reception; 10. Analyzing the Academy Awards: Factors associated with winning and when surprises occur; Iain Pardoe and Dean Keith Simonton; 11. Responses to and judgments of acting on film; Thalia R. Goldstein; 12. As good as it gets? Blockbusters and the inequality of box office results since 1950; Victor Fernandez-Blanco, Victor Ginsburgh, Juan Prieto-Rodriguez, and Sheila Weyers; End Section; 13. Social Science of the Cinema: Fade Out; Joshua Butler and James C. Kaufman
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